Peter Hinton’s Funny Girl is a fresh take on the story of Fanny Brice, where comedy, tragedy, and song come together into a magnificent new work. Rover caught up with Hinton for a chat.
One of the characters in The Seagull says that theatre is medicine and the audience needs healing. In the case of the Seagull, the medicine is both delicious and effective. The play is long, but one only notices that after it is over, the standing ovation ends, and you glance at a watch. In theatre time it transpires in a flash. This is first class medicine from some world class practitioners.
Peter Hinton is an award winning playwright and director. From 2005-2012, he was Artistic Director of English Theatre at Canada’s National Arts Centre in Ottawa; prior to that he was an associate artist at The Stratford Festival for seven seasons and then more recently directed at the Shaw Festival. For the Segal Centre, he directed A Night in November by Marie Jones, Buried Child by Sam Shepard, and his own adaptation of Henrik Ibsen’s A Doll House. Peter was the 2012 English recipient of the National Theatre School of Canada’s Gascon/Thomas Award for significant achievement in Canadian Theatre, and in 2009, he was named an Officer of the Order of Canada. I met Peter in the lobby of the Segal Centre.
So here’s the situation: a stranger comes to town and finds himself mysteriously drawn into somebody else’s life-in-progress. Meanwhile, a guy who’s dug in and married…