THEATRE

Chekhov for Beginners

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Dawson College production of Chekhov's Three Sisters shows panache in spite of the challenges

by Natalie G.
01.02.2012

The Three Sisters, Chekov’s simmering drama about an army general’s family trapped in a provincial Russian town at the end of the nineteenth century, is brought to the stage by Dawsons College’s professional theatre program.

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MUSIC

Student Operas, Best Operas?

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Opera McGill & the McGill Symphony Orchestra presents Mozart's Don Giovanni

by Lev Bratishenko
29.01.2012

Butler and I were at stalemate over my pneumatic tube subscription. He thinks it’s a waste of money, but he doesn’t know opera companies. Yesterday I had my glorious revenge when the old tube rattled and spat out an invitation. There, I screamed from the lavatory, not everybody went over to email. I went, of course, and though the ticket lady found my canister suspicious she judged it unwise to argue. Four stars for the ticket lady at Pollack Hall.

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BOOKS

“Ain’t But One Kind of Crazy”

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Half-Blood Blues by Esi Edugyan, Thomas Allen Books

by Kate Orland Bere
29.01.2012

As one reads Half-Blood Blues, the terse, vivid vernacular of the aging Baltimorian light-skinned “black,” Sidney Griffiths, the first person narrator of Esi Edugyan’s Giller-winning novel, becomes a captivating force. A  powerfully persuasive instrument, the bassist’s laconic voice boldly sings throughout this novel.

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FILM

Road to Nowhere

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Chris Paine's documentary spins its wheels detailing the Revenge of the Electric Car

by James Gartler
28.01.2012

There was once a time when oil companies, politicians and car manufacturers wanted any notion of a mainstream electric vehicle dead and buried.  Director Chris Paine chronicled it in his popular 2006 documentary Who Killed the Electric Car? and is now determined to declare the tides have turned with the release of his latest, Revenge [...]

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THEATRE

Les bourgeois, c’est comme les cochons (bis)

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La noce, Groupe de la veillée

by Mélanie Grondin
26.01.2012

Décidément, on se paye la tête des bourgeois ces jours-ci. Autant Le Dindon, de Feydeau, qui joue actuellement au Théâtre du Nouveau Monde, est un petit vaudeville gentil où la sexualité est plus verbale que visuelle, autant La noce, de Bertolt Brecht, est une satire des plus dévergondées. Peut-être trop, même.

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THEATRE

Les bourgeois, c’est comme les cochons

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Le Dindon, Théâtre du Nouveau Monde

by Mélanie Grondin
25.01.2012

Certains diront peut-être que le Théâtre du Nouveau Monde, en tant que « théâtre national », se doit d’être un théâtre sérieux où le drame a plus sa place que la comédie. Même les grands dramaturges de ce monde — de Shakespeare à Molière en passant par Corneille — ont écrit des comédies, et il est vrai [...]

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BOOKS

This Writing Death

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Death In Venice: A Queer Film Classic, by Will Aitken, Arsenal Pulp Press

by Will Aitken
24.01.2012

Writing non-fiction’s a bitch – a truth not universally acknowledged. You’ll hear fiction writers, especially novelists (I’ve written five, published three), going on about their own heroism. How wrenching it is, day after day, to dredge up eternal truths from the dank depths of their souls. One man (it would be a man) even told me writing a novel is “like going to war.” I like to picture him deep in a muddy trench, rats nibbling at his toes, his laptop powered by only the heat from his cojones. Yet another writer maintained it’s the moral rigor of the long fictional haul that drives novelists to drugs and drink. That’s a man with, in addition to possible substance abuse issues, a bad case of post hoc ergo propter hoc. (Actually, it was drugs that drove me to write novels, but that’s another story.)

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BOOKS

Quand on aime on a toujours vingt ans

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La serveuse du Café Cherrier, de Yves Beauchemin, Les éditions Michel Brûlé

by Mélanie Grondin
22.01.2012

Tout le monde recherche et le bonheur et l’amour. Peu importe l’action des gens qui nous entourent, au fond, ils cherchent tous, comme nous, à être heureux. Thème universel que cela; thème qui fait toujours un bon roman. C’est cette quête qui propulse le dernier roman d’Yves Beauchemin : La serveuse du Café Cherrier.

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BOOKS

12 hommes, 12 livres

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21.01.2012

J’ai demandé à 12 hommes de me recommander des livres importants pour eux. Mon but final est de réévaluer mon rapport avec eux et avec les hommes en général. Un soir de janvier, je rencontre Youssef, ami, photographe, penseur, voyageur, pour parler du dernier livre de Dany Laferrière, que l’auteur qualifie d’autobiographie de ses pensées. On parle.

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THEATRE

More Slapstick, Fewer Words

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Ars Poetica a few pratfalls short of a farce.

by Anna Fuerstenberg
21.01.2012

Veronica Classen designed a fabulous set at the Bain St. Michel and the device of having poetry and text messages projected on the high tech grey walls was delightful. She also dressed a cast which was supposedly sweating in the office of a tiny poetry magazine bereft of air conditioner, in seriously dark and heavy clothes … and in a Montreal heat wave only one character wore actual sandals.

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THEATRE

Never Say Die

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Ars Poetica at Infinitheatre, through February 12

by Alex Woolcott
20.01.2012

It’s a swing and a miss for Ars Poetica, the second play by Arthur Holden and the latest offering from Montreal’s Infinitheatre. Infinite can always be commended for exclusively producing new work by local writers. But this time around they’ve emerged with a weak and meandering comedy in desperate need of another draft.

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MUSIC

Le chemin d’un chef d’orchestre

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Pour Jean-Marie Zeitouni, nouveau chef et directeur artistique de l’ensemble I Musici de Montréal, le chef d’orchestre doit créer les conditions propices à ce que chacun donne le meilleur de lui-même. Parcours d’un maestro.

by Isaline Cartier
20.01.2012

Issu d’une famille où tout le monde était un peu musicien, il « est tombé dedans quand il était petit », mais c’est l’intervention des recruteurs de l’école du Plateau, qui faisaient la tournée des écoles pour dénicher des talents, qui déclenchera son parcours musical. Dans cette école primaire où la part académique était condensée en une [...]

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DANCE

Uncommon Creation

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The Bouge d’ici dance festival’s Common Space performance series brims with innovation

by Kati Belanger
18.01.2012

The promise of variety and the fresh energy of emerging choreographers sold out last year’s edition of Common Space at the Bouge d’ici dance festival. In its fourth year, the Common Space showcase seeks to shine the spotlight on a large group of up-and-coming choreographers here in Montreal, while providing them with resources to develop [...]

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THEATRE

Letter from Chicago

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Visiting the Chicago Shakespeare Theater

by Marianne Ackerman
16.01.2012

The age of national culture is over. Forget about tired nation-states, their ineffective governments and surly citizens. Great art is to be found in cities with strong flavours. At the top of my list is Chicago, just over an hour from Toronto by air, where a vibrant theatre scene is offering the best play I’ve seen in years.

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BOOKS

Hypothetically Speaking

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Hypotheticals, by Leigh Kotsilidis, Coach House Press

by Matthias Lalisse
15.01.2012

Alan Sokal, the physicist who famously “debunked” a Cultural Studies journal by tricking its editors into publishing a finely crafted parody, threw down the following glove to his wishy-washy colleagues in the humanities: “Anyone who believes that the laws of physics are mere social conventions is invited to try transgressing those conventions from the windows of my apartment. (I live on the twenty-first floor.)”

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