Ryoji Ikeda’s C4I probes the diminishing barrier between the real and the virtual, approaching themes of government control and surveillance in an apocalyptic manner.
A Stephen Harper insider is hard-done by his own Conservative friends. Will he exact Frank Underwood-style revenge in a “tell-all” book?
Digital trailblazers, Ted Talks on steroids, and food, food, food: This is Rover’s #ListMTL for May 19 to June 1, 2014.
Serafim and Claire explores two characters’ dreams when Montreal was full of flappers, cabarets, crooked city officials and a thriving Red Light district.
Kurios is entertaining, poetic and exhilarating, yet may leave you scratching your head: is circus supposed to tell a tale, or are the gaping jaws the whole story?
Montreal’s new Chocolate Moose Theatre Company has produced a wonderful rendition of Tom Stoppard’s award-winning Shakespeare riff, Rosencrantz & Guildenstern Are Dead.
The mordant photo collages in the Imagined States of America offer a drive-through tour of the American psyche, but ultimately fail to assemble into a cohesive whole.
Even a crucial Stanley Cup playoffs game couldn’t dent hometown enthusiasm for the launch of Heather O’Neill’s long-awaited new novel, The Girl Who Was Saturday Night.
Rover critic Anna Furstenberg sits down for a Q & A with award-winning Montreal actor, singer, director and choreographer Nadia Verrucci, who presents Souvenir at the Centaur Theatre from May 22 to 25.
Geordie Productions has delivered a stunning rendition of Homer’s Odyssey, at the Centaur until May 18. Grab your kids and go, before it’s too late.
The Professional Theatre program at John Abbott College has hit the alarm bell with its rich production of Arthur Miller’s rarely staged Depression-era tale, The American Clock.
Adichie casts a gimlet eye on both American and Nigerian cultures. Yet beyond the big issues, Amerikanah is above all a sweet and affecting love story, shining with truth.
Just For Laughs announced its 2014 festival lineup this week, showing once again why Montreal’s summer romp is the biggest comedy festival in the world.
Plastinated maggots, decomposing limbs, Birkenstocks? The Chapman Brothers excel at pushing the limits of horror only to pull back with a joke. But is it mischief, or a message?
The bar was high for one of the most successful Canadian theatre touring shows in history. Centaur’s 2 Pianos, 4 Hands doesn’t disappoint.