From the category archives:

STAGE

THEATRE

Noir mécanique

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L'histoire du roi Lear, Théâtre du Nouveau Monde

by Mélanie Grondin
24.03.2012

Dernièrement, une copine et moi parlions des avantages de discuter du testament parental en famille afin que tout le mode sache à quoi s’attendre et qu’il n’y ait pas de mauvaises surprises à la mort desdits parents. Visiblement, ni elle ni moi n’avions vu l’une des tragédies les plus connues de l’incontournable William Shakespeare : [...]

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DANCE

It’s All about You

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Crystal Pite’s Kidd Pivot contemporary dance company gets into your head with The You Show

by Jamie O'Meara
23.03.2012

Is The You Show, the latest from internationally renowned contemporary Canadian choreographer Crystal Pite, perfect? No. Should you see it? Emphatically, yes. The You Show, presented by Pite’s Kidd Pivot Frankfurt RM (and breath…) dance company, is the follow-up to 2009’s hugely entertaining Dark Matters work. And where the richly and deeply theatrical Dark Matters [...]

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THEATRE

Powerful History, Powerful Story

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State of Denial, Teesri Duniya Theatre, to April 1st

by Anna Fuerstenberg
20.03.2012

State of Denial is by far Raul Varma’s best work as a playwright since Bhopal. Most astonishing is that he has mastered the voices of women in crises and in extremis with elegance and poetic savagery. This is a painfully difficult play to produce, but Teesri Duniya has taken the challenge and for the most part succeeded where no other theatre company would dare to go.

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THEATRE

Keeping Watch

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Vigil, Segal Centre, to April 1st

by Anna Fuerstenberg
19.03.2012

Vigil is an elegant farce concerning a misanthropic young man who abandons his boring job at a bank and races a thousand miles across the country to be at the bedside of his dying aunt. Marcel Jeanin was brilliant as the sociopathic nephew, using a comic time that has a fierce ruthlessness. He played the part with balletic assurance and inhabited the role with nebbish-like klutziness that was nothing short of stunning.

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THEATRE

Not the Tickle Trunk

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Traffik Femme, Segal Centre, to March 24

by Leila Marshy
17.03.2012

About half way through, I noticed a bruise on the actress’ thigh. I wondered if she had forgotten to cover it with theatrical make-up. Then I realized it had erupted during the course of the play. Traffik Femme may be a one woman show, but the brutality actress Nico Lagarde channels is very real.

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THEATRE

Errors of Comedy

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Game of Love and Chance, Centaur Theatre, to April 1st

by Alex Woolcott
13.03.2012

There’s an old theatrical aphorism that says one should always leave the audience wanting more. This is exactly what happens in Centaur’s production of Pierre Marivaux’s The Game of Love and Chance (translated by Nicholas Billon). Watching the show, one is constantly wanting – if not hoping and praying – that the talented cast and crew are going to give us more. More jokes, more wit, more of Marivaux’s own blithe spirit.

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THEATRE

Beautiful Cruelty

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The Leisure Society, Bain St. Michel, March 6-25th

by Alex Woolcott
12.03.2012

Two years ago, actress-turned-director Ellen David was asked if she would direct a play for Infinitheatre. David leapt at the chance and within moments had suggested The Leisure Society (La Société des loisirs) François Archambault’s scathing attack on the cost of consumerism. David clearly has infallible instincts: her Quebec English-language première of The Leisure Society is Infintiheatre’s sharpest production in years and a standout of Anglo-Montreal’s 2012 season.

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THEATRE

There Was and There Was Not

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Our Story, Palestinian Theatre Group, UQAM, March 10

by Adam Bemma
06.03.2012

In a city where French, English and Yiddish language theatre draws huge crowds year-round, Montreal’s cultural scene is now home to a burgeoning, young, Arab theatre troupe paving the way for performances in their own language.

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THEATRE

Devil in the Details

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History of the Devil, Title 66 Productions, Théâtre Rouge, until March 4

by Alex Woolcott
01.03.2012

Enthusiasm will only get you so far and if you need proof, visit Title 66’s current production of Clive Barker’s The History of the Devil. The young cast and crew contain more than a few stars of tomorrow; unfortunately, they’re saddled with Barker’s meandering script, a fairly unseaworthy vessel that the talented crew have to fight to bring to into harbour.

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THEATRE

Aimez-Vous les Uns les Autres

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Les maladies honteuses, au Théâtre de l'Opsis et au Théâtre Jean-Duceppe

by Mélanie Grondin
28.02.2012

Certaines maladies — surtout celles où notre corps nous trahit malgré toutes les précautions que nous pouvons prendre — sont nobles, tandis que d’autres sont honteuses. Du moins, selon le point de vue de certaines personnes proches du malade, voire du malade lui-même. Ces maladies et la honte associée sont le point central de Frères [...]

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THEATRE

Scary Monsters, Super Creeps

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Scary Tales and Broken Hearts at the Mainline Theatre

by Kallee Lins
24.02.2012

Scary Tales and Broken Hearts takes you into the world of your childhood in which anything can be imagined, yet nothing is quite as you expect.  The dancers of Entre-Deux take the audience through a series of vignettes inspired by fairy tales, your wildest dreams, and your darkest fears.

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THEATRE

Agog about Gollywog

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Gollywog, by Bonnie Farmer, Black Theatre Workshop

by Beverly Akerman
20.02.2012

Though decades separate Bonnie Farmer’s two plays, her new Gollywog has the makings of a hit. Born in Shelburne, Nova Scotia, Farmer came to Montreal at the age of two when her mother took a job as a cook in a convent. The family only lived there a year or so, Farmer explains. “They weren’t expecting a cook with a baby in tow. Our room was right off the kitchen and I kept getting into things. It was dangerous. I remember these beautiful marble floors. I remember seeing the nuns in their pyjamas.”

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STAGE

History Made at the Majestic

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A look at the family of artists behind Phantom of the Opera’s phenomenal success on Broadway

by James Gartler
11.02.2012

Last fall, two twenty-something New Yorkers waiting by a stage door for a glimpse of Bernadette Peters struck up a conversation about the current crop of shows on Broadway.  “Phantom’s definitely going to be closed within five years, no question,” one remarked to the other, who nodded emphatically in return, “oh for sure – it’s [...]

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THEATRE

Emotional Centre Does Not Hold

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Scientific Americans at the Segal Centre lacks conflict and passion.

by Anna Fuerstenberg
10.02.2012

It is never a good sign when they hold curtain on opening night. There is usually a great reason, but the audience gets restless and hostile and, in the case of Scientific Americans, very sleepy. I thought that the actors did remarkably well and the play may have had really important things to say. But [...]

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THEATRE

Emotional Hook Misses Mark

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Spectacular set not enough to overcome clichés

by Anna Fuerstenberg
03.02.2012

In Absentia at the Centaur is a play fraught with symbolism. There are bare trees, a frozen river, the endless winter and the barren (or is she?) heroine of the piece. When Collette’s husband goes missing in Colombia while working for an oil company, she hunkers down and plays psychic possum. Her older sister Evelyn, [...]

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