From the category archives:

STAGE

THEATRE

Double Bling Bang Bard

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The Comedy of Errors, Centaur Theatre

by Marianne Ackerman
10.03.2010

So here’s the situation: a stranger comes to town and finds himself mysteriously drawn into somebody else’s life-in-progress. Meanwhile, a guy who’s dug in and married money discovers himself locked out of the house and his calls bounced. Kafka or farce? Peter Hinton’s Comedy of Errors pursues both options.

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THEATRE

Chronique d’une fuite annoncée

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Excuse-moi, Théâtre Jean Duceppe

by Mélanie Grondin
04.03.2010

La fuite a lieu lorsque l’on ne peut ou ne veut plus lutter contre la réalité. Selon Henri Laborit dans L’éloge de la fuite, nous pouvons fuir de différentes façons : les drogues, la psychose, le suicide, la solitude ou l’imaginaire, mais comment peut-on continuer à fuir lorsqu’on est confronté par les méfaits de cette [...]

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STAGE

Spirited Excess & Bawdy Silliness

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The Mid-Life Crisis of Dionysus, MainLine Theatre

by Marc Seltzer
02.03.2010

Not to be missed at the MainLine Theatre is a musical comedy reimagining the Greek god of wine, Dionysus, in middle age. With text and lyrics by Jeremy Hechtman and Patrick Goddard, inspired by a story of Garrison Keillor, this is smartly written comedy delivered with great timing by a well-rehearsed and able cast.

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STAGE

Prickly Nest

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DO ANIMALS CRY, USINE C

by Tao Fei
25.02.2010

In-the-know North American audiences do not miss an opportunity to see a Meg Stuart work, and her latest Do Animals Cry reminds why. Making their first Montreal appearance in over four years, Stuart’s Belgium-based company Damaged Goods goes to the volatile core of private family life to wrestle out two hours of visceral, unruly physical [...]

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DANCE

Check The Backseat

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ROADKILL, CINQUIÈME SALLE

by Tao Fei
12.02.2010

Disclaimer: roadkill is actually, seriously scary. Cinematic horror is not the most popular choreographic pursuit, but collaborative Brisbane-based company Splintergroup suggests it’s a frontier in contemporary dance worth visiting. With roadkill, their dance theatre thriller set in Australia’s mythic outback, Splintergroup makes its Montreal debut to conclude Cinquième Salle’s three-part Australian dance series.

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THEATRE

A Night to Remember

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Michel & ti-Jean, Centaur Theatre

by Marianne Ackerman
06.02.2010

For the record, a young Michel Tremblay never went stateside to track down the legendary beat writer Jack Kerouac, though watching George Rideout’s brilliant new play inspired by What if … you’ll be tempted to believe he did. Michel & ti-Jean’s invitation to suspend disbelief is easy to accept.

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THEATRE

Charming, Disarming Company

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Geometry In Venice, Segal Centre

by Lev Bratishenko
05.02.2010

My quarrelsome companion and I argued during the intermission of Michael Mackenzie’s Geometry in Venice. She claimed I was only interested in comparing the play with Henry James’ novella, on which it is based, and that this was ‘boring’. I claimed she was drunk. Of course, I was completely correct.

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THEATRE

Please, Rock the Boat

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The Daily Miracle, Infinitheatre

by Marianne Ackerman
30.01.2010

Whatever else can be said about The Gazette, she has proven herself a worthy muse. Brian Moore’s novel The Luck of Ginger Coffey and William Weintraub’s Why Rock the Boat? both pillaged newsroom antics for material in the early Sixties. Now a former copy editor has taken another kick at the old girl, on her imagined [...]

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STAGE

And It’s Beer, Beer, Beer!

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BIG 3RD EPISODE, USINE C

by Tao Fei
28.01.2010

Auteur cinema does not put us in a resting, gaping state; beer commercials do. French-Austrian performance group Superamas explores the straight-to-the-bloodstream effects of mass media by producing a freshly-squeezed concentrate from the familiar pulp of romantic comedies, soap operas, commercials and music videos.

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