Books

Writing non-fiction’s a bitch – a truth not universally acknowledged.

Theatre

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What an interestingly inviting read on this mind muddled morning. Thanks! Coffee, Please?

From the category archives:

BOOKS

BOOKS

“Ain’t But One Kind of Crazy”

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Half-Blood Blues by Esi Edugyan, Thomas Allen Books

by Kate Orland Bere
29.01.2012

As one reads Half-Blood Blues, the terse, vivid vernacular of the aging Baltimorian light-skinned “black,” Sidney Griffiths, the first person narrator of Esi Edugyan’s Giller-winning novel, becomes a captivating force. A  powerfully persuasive instrument, the bassist’s laconic voice boldly sings throughout this novel.

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BOOKS

This Writing Death

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Death In Venice: A Queer Film Classic, by Will Aitken, Arsenal Pulp Press

by Will Aitken
24.01.2012

Writing non-fiction’s a bitch – a truth not universally acknowledged. You’ll hear fiction writers, especially novelists (I’ve written five, published three), going on about their own heroism. How wrenching it is, day after day, to dredge up eternal truths from the dank depths of their souls. One man (it would be a man) even told me writing a novel is “like going to war.” I like to picture him deep in a muddy trench, rats nibbling at his toes, his laptop powered by only the heat from his cojones. Yet another writer maintained it’s the moral rigor of the long fictional haul that drives novelists to drugs and drink. That’s a man with, in addition to possible substance abuse issues, a bad case of post hoc ergo propter hoc. (Actually, it was drugs that drove me to write novels, but that’s another story.)

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BOOKS

Quand on aime on a toujours vingt ans

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La serveuse du Café Cherrier, de Yves Beauchemin, Les éditions Michel Brûlé

by Mélanie Grondin
22.01.2012

Tout le monde recherche et le bonheur et l’amour. Peu importe l’action des gens qui nous entourent, au fond, ils cherchent tous, comme nous, à être heureux. Thème universel que cela; thème qui fait toujours un bon roman. C’est cette quête qui propulse le dernier roman d’Yves Beauchemin : La serveuse du Café Cherrier.

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BOOKS

12 hommes, 12 livres

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21.01.2012

J’ai demandé à 12 hommes de me recommander des livres importants pour eux. Mon but final est de réévaluer mon rapport avec eux et avec les hommes en général. Un soir de janvier, je rencontre Youssef, ami, photographe, penseur, voyageur, pour parler du dernier livre de Dany Laferrière, que l’auteur qualifie d’autobiographie de ses pensées. On parle.

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BOOKS

Hypothetically Speaking

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Hypotheticals, by Leigh Kotsilidis, Coach House Press

by Matthias Lalisse
15.01.2012

Alan Sokal, the physicist who famously “debunked” a Cultural Studies journal by tricking its editors into publishing a finely crafted parody, threw down the following glove to his wishy-washy colleagues in the humanities: “Anyone who believes that the laws of physics are mere social conventions is invited to try transgressing those conventions from the windows of my apartment. (I live on the twenty-first floor.)”

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BOOKS

Grand Dames

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Midsummer Night in the Workhouse, by Diana Athill, and The Things We Fear Most, by Gloria Vanderbilt

by Elise Moser
08.01.2012

It is surprising that there are not more well known editors-turned-writers. Toni Morrison is the great one; Diana Athill is another shining example, best known for her lively memoirs, especially Stet: An Editor’s Life. With the exception of a 1967 novella, she appears to have published no fiction except Midsummer Night in the Workhouse, her collection of short stories, written in 1958 and just reissued as a very attractive paperback. Her mastery of the language makes it a very smooth read, but it is far from inspired.

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BOOKS

Brrrrrrrr!

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The Joy of Spooking: Sinister Scenes, by P.J. Bracegirdle, McElderry Books

by Luca Brown
18.12.2011

It’s that time of year again. The time where we escape the falling snow, lock ourselves in warm houses, and curl up with a good book. But that doesn’t mean we can’t enjoy some chilling horrors. P.J. Bracegirdle’s Sinister Scenes can put you in a terrified mood along with some mystery and a bit of humour no matter what the time of year.

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